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By Carmelo Turdo |
In the time before the advent of 3-Dimensaional engineering software, the Mercury Engineering Development Fixture was constructed to provide a full-scale mockup for the engineers, assembly workers and the astronauts during the development phase of the Mercury spacecraft. The mockup was valuable for fitting systems and for developing the cockpit layout and working environment for the astronauts in training for America's first manned space missions. It is likely that some or all of the original Mercury Seven astronauts used this equipment during their training at the McDonnell Aircraft production facility that was located nearby. The interior frame is made of wood, as is the cockpit interior, heat shield cover and retro rockets. The external skin and escape tower are metal, and the instrument panel is an accurate representation of the one found in the actual spacecraft. The following series of photos gives a first-hand view of what it may have looked like to fly a mission in the Mercury spacecraft.
Similarly, the Gemini Engineering Development Fixture served as a 3-Dimensional design aid during the rapid development of the Gemini spacecraft that proved so important in the run-up to the manned moon missions. The mockup, marked as constructed in February 1964, is made primarily of wood, though more use of metal, fiberglass and plastic is evident in the larger, double crew vehicle. The aft section features more metal components posing as fuel tanks and wiring connecting wooden rockets and fuel cells. Unlike the Mercury fixture, the Gemini console is made for layout only and does not contain functioning lights or instruments. The engineers and astronaut crewmen found this mockup useful for planning the best available cockpit arrangement for long-duration missions. The foam mannequin is wearing a space suit and helmet worn by McDonnell engineers during the development of the Gemini spacecraft. This series of photos takes us into the spacecraft.
The Aero Experience would like to thank Mary Barr of Boeing Communications at the James S. McDonnell Prologue Room in St. Louis for providing access to the exhibits and critical background information for this story.
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